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Edited Legal Collections Data |
Book Title: Copyright and Cultural Heritage
Editor(s): Derclaye, Estelle
Publisher: Edward Elgar Publishing
ISBN (hard cover): 9781849800044
Section: Chapter 8
Section Title: Preserving and Accessing our Cultural Heritage: Argentina’s Experience through the Domaine Public Payant
Author(s): Lipszyc, Delia; Villalba, Carlos Alberto
Number of pages: 14
Extract:
8. Preserving and accessing our
cultural heritage: Argentina's
experience through the domaine
public payant
Delia Lipszyc and Carlos Alberto Villalba*1
1. INTRODUCTION
In Argentina, folklore involves both the expressions of traditional and
popular culture and the works based on these expressions. But, the latter
as works are protected by copyright, while the former, as in many other
countries, are considered to be part of the public domain.
The concept of `author' is characteristic of a cultural ambience in which
each person is a clearly differentiated being who is conscious of their indi-
viduality. The great works that depict the history of a people, a nation or
a religion, generally arose from oral expression and were transmitted and
re-created from one generation to the next. They were sometimes attributed
to somebody like the Iliad and the Odyssey were ascribed to Homer or
dictated by a divine being that used somebody as a means of conveying a
message, which would lose value as such if it originated from a person or
a specific group of persons because it would not be the word of God. This
would allow for a compilation as Ramón Menendez y Pidal did in Flor nueva
de romances viejos, or what the Argentinean musicologist Leda Valladares
accomplished on the subject of popular music from diverse cultural com-
munities in Argentina in Cantando las raíces. Coplas ancestrales del Noroeste
Argentino or the Hemanos Ábalos a widely known Argentinean musical
group who combined lots of ...
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URL: http://www.austlii.edu.au/au/journals/ELECD/2010/792.html